The film I watched was Thy Will Be Done, directed and produced
by Alice Bouvrie in 2010. The movie follows a transsexual woman through her
journey to be ordained in the Presbyterian Church. The issue being tackled is
two-pronged, depending on the audience. For those undergoing similar struggles,
the message is supposed to be one of comfort and encouragement, showing those
people to be brave in their endeavors. The other issue is informing people not experiencing these trials is to not
only be aware of other’s struggles, but to be accepting of people and their
shortcomings, despite what they may be.
Although the main idea may not be
clear, it is sure that one of the themes is illuminating people’s differences
and asking them to showcase their differences as a form of uniqueness. The motivation
of this is not to rewrite history, but not necessarily to add to it. It’s an
in-between where transsexual people wish to establish themselves and justify
their actions. The funny thing is, right now, there isn’t very much groundwork
for this topic. It’s all very behind-the-scenes that only people going through
it realize. Because of this, the political questions being confronted are also
somewhat stagnant. While there are most certainly debates occurring, they aren’t
out in the open for the public to be aware of.
The argument being made (acceptance,
etc.) is made effectively, for the most part. The difficult thing to get past is
the viewers’ opinions and values concerning this specific topic. Other than
that, there are very diverse tactics the producer uses to convince the viewers
to side with her.
The movie starts with the
transsexual woman, Sara, canoeing by herself in a river. Her voice comes over,
talking about acceptance and equality. Emotions definitely play a strong role
throughout the whole movie as Sara shares her early life and struggle with
cross-dressing. The camera alternately pans and zooms on a mannequin that, each
time, displays different women’s outfits that Sara assumedly wears. The
lighting on the clothes is subtle and soft so the viewers can imagine someone
wearing the clothes, and it may not be the woman you think it would be.
There are multiple personal
interviews of people related to Sara, such as her ex-wife, daughter, and
therapist. The interviews all appear to take place in the interviewees’ houses,
which shows they are comfortable in their own setting as Sara is in her current
body and mindset.
A very common part of the movie
is pictures, film clips, and audio bites of Sara and her life. The pictures are
chosen very well, including pictures of her as a young boy and high schooler,
and in early life with her ex-wife. The film clips include their wedding and
fun moments with their infant/toddler daughter. On the other side of things,
there were also pictures of the Book of Order, the constitution of the
Presbyterian Church saying transsexuality and same-sex marriage was not
allowed.
Counterarguments that could be
made against this are, of course, the laws that were (and in some places still
are) against same-sex marriage. While scriptures say that all men (and women)
were created equal, those same scriptures do not ordain a marriage of two
women, like Sara and his current wife. Then there’s the argument that no matter
how much one wants others to be accepting of him/her, not everyone will be. The
producer also makes a note that after the marriage, the woman who “married”
them was charged for marrying two woman. While the movie made a good argument
that should not have been the ending.
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